It works really well when you want to switch back and forth between stills and video capture, enabling you to make the change with a simple flick of the thumb. It’s fairly similar to that of the original EOS R6 but the on/off switch is relocated on the right hand side of the top panel and a new addition on the left is a stills/video switch. The Canon EOS R6 Mark II handles intuitively, having a fairly clean and uncluttered layout of control buttons and dials. There are no CF Express ports, unlike full frame rival the Nikon Z 6II, which may disappoint some harder-core videographers using the R6 Mark II as a B cam - although SDXC will be plenty fast enough for the hybrid market this camera is primarily aimed at. You can also use the secondary card for overflow. The camera features dual SDXC UHS-II memory card slots, ideal for backups, overflow or storing different types of files separately, but there’s no compatibility with super-fast CFexpress cards. If you want a camera that stands out, Canon isn’t the manufacturer for you, and you may be best off with something a little more stylish like the APS-C Fujifilm X-T5. While looks likely won’t matter to its target market of hardcore enthusiasts and semi- or fully professional users, it’s worth pointing out that the R6 Mark II exemplifies Canon’s current lack of adventurousness in design ethos - save it’s R6 branding, this camera would be indistinguishable from Canon’s other R-System bodies to all but the trained eye. An upside is that handling feels very natural thanks to its large ergonomic grip, and it feels well-balanced when using large lenses. It’s a little shorter and shallower than the EOS 6D Mark II DSLR, and both are a practically identical weight of 1.5lbs. The Canon EOS R6 Mark II feels pretty chunky for a full-frame mirrorless camera. If you’re just looking for a tool for casual photos and videos of friends and family, though, or to dabble purely in photography, you’d be better off looking at a camera in the more affordable mid-range market, such as the Canon EOS R8, Canon EOS R7 or the Fujifilm X-T30 II. Unfortunately, the quality doesn’t come cheap. It’s the best match for the camera’s build quality and all-round performance. If you’re after a full kit the RF 24-105mm F4L IS USM L-series lens is the one to go for if you have the cash. The Canon EOS R6 Mark II is significantly less expensive than the 45MP EOS R5 and much cheaper than the flagship EOS R3 - the latter having a similar 24.1 megapixel resolution but boasting a more high-tech stacked, back-illuminated image sensor and a built-in vertical grip for natural ergonomics in portrait as well as landscape orientation shooting. Canon EOS R6 Mark II at Amazon for $2,499.Canon EOS R6 Mark II review: Price and availability Find out more in our Canon EOS R6 Mark II review. The R6 Mark II is also one of the best mirrorless cameras for enthusiasts in those areas, or indeed in any genre of photography, although it’s certainly on the pricey side for those only wishing to take stills and video of vacations, family and pets. With seamless switching between stills and video, it’s ideal for professionals shooting weddings, action, sports or wildlife. As such, the new model should more than satisfy the demands of professional and enthusiast hybrid shooters. However, the 20MP image sensor had a meager megapixel count by recent standards and the camera was prone to overheating when shooting 4K UHD video.īoth of these were significant minus points for what was designed as a hybrid camera for shooting stills and video, but the Mark II addresses both issues while adding a wealth of further upgrades. It ushered in Canon’s much vaunted deep-learned AI autofocus system and added highly effective IBIS (In-Body Image Stabilization), which was a glaring omission in Canon’s original EOS R and EOS RP full-frame mirrorless cameras. We were thoroughly impressed by the original EOS R6, with a couple of reservations. The Canon EOS R6 Mark II has a tough act to follow. Size/weight (body inc battery, card): 5.45 x 3.87 x 3.48 inches 1.5 lbs Shooting speed: 12fps mechanical, 40fps electronicīattery life (CIPA): 760 shots LCD, 450 shots viewfinder Ports: USB type-C, micro HDMI, mic mini jack, headphone mini jack, hot shoe, E3-type remote control, multi-function hot shoe Max video resolution: 4K at 60p, 50p, 30p, 25p, 24p Viewfinder: 0.5-inch OLED EVF, 3.69 million dotsĭisplay: 3.0-inch Vari-angle colour LCD Touch Screen, 1.62 million dots Image stabilization: Up to 8 stops (lens dependent) + Movie Digital IS Sensor: 24.2MP full-frame Dual Pixel CMOS AF II
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